I thought to myself, well, alright, that's been done. Of course if you looked at MTV, it was a bunch of video jocks, real people, linking and introducing music videos. Andy said, "Hey, what do you think about trying to develop a music video show for Channel 4?"
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I went to Andy Park, a pal of mine who ran a commercial radio station and became commissioning editor for music at Channel 4, which was a new embryonic TV channel in the UK. I was basically head of what they called, in those days, "creative services." Once MTV started, it totally revolutionized the dynamic of marketing and selling music … music videos sort of becoming the most important part of our armory. Peter Wagg Producer I was working for a record label. And it all began, like so many things in the ‘80s, with music videos. Thirty years after the premiere, I spoke with the writers, directors, producers, actors, make-up artists, and network executives that helped bring Max Headroom to life. Max was inescapable - and then almost just as quickly as he had appeared, he was gone.
Max hosted music video shows Max interviewed celebrities Max hawked New Coke Max Headroom became US network television’s very first cyberpunk series. The result: the stuttering, sarcastic Max.Ģ0 Minutes into the Future kicked off an extensive franchise, and Max became a singular '80s pop culture phenomenon that represented everything wonderful and horrible about the decade.
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Headroom - 2.3m." Desperate to maintain ratings with its star reporter, the network enlists a young hacker to download Carter’s mind and create a virtual version of the journalist.
While tracking the story, Carter is flung into a barrier marked "Max.
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Set in a near-future where global corporations control all media and citizens are hopelessly addicted to dozens of TV channels, the movie follows Carter - working for the mysterious Network 23 - as he discovers that network executives have created a form of subliminal advertising known as "blipverts" that can actually kill. Max Headroom: 20 Minutes into the Future was a snarky take on media and corporate greed, told through the eyes of investigative journalist Edison Carter (Matt Frewer) and his computer-generated alter-ego: an artificial intelligence named Max Headroom. On Thursday, April 4th, 1985, a blast of dystopian satire hit the UK airwaves.
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